JWST Advanced Deep Extragalactic Survey

JWST Advanced Deep Extragalactic Survey (NIRCam Compass Image) With DARKLight filtering allowing expanded range of white and black light to increase the resolution. The small square on the inset of the image was chosen due to it being the darkest part of the image. DARKLight discovered a small sun which is actually very large.

Click the image above to open the full annotated JPG image (12097 x 10775px)

TIFF Clean Version (615.7 MB)
FITs Clean Version (615.6 MB)

JWST- Searching Time

The image to the left is the JWST Advanced Deep Extragalactic Survey (NIRCam Compass Image) with #DARKLight filtering. Its expanded range of white and black allowed me to further select the darkest part of the overall image. A tiny patch (shown) 91x 132px rectangle from the full  12097x10775px image

Original Website Information from NASA located here

Inside the small patch (shown below) is the farthest, and oldest red giant and/or galaxy formation in the picture I could find so far. It took 24 hours of processing to find it. Here are the series of 91x 132px rectangle images from that patch, developed in various color frequencies via white and black adjustments, one frequency at a time, so that the image could finally be stacked and reverse stacked for clarity to determine the object. (click an image to download a resized viewable JPG version)

Stage 1 (default filter view)

TIFF Version (10.6MB)

Stage 2 (adjusted W&B light filtered)

Stage 3 (Forward Stacked)

Final Stage (Reverse Stacked)

Stacked Histograms illustrating the wave of dark and light 

Fourier Transform Layers (original source)

Image Stacking

When I create a final image, some of the times, I stack the frequencies, especially if I am trying to bring out a particular detail. Most of the time, the various frequencies erase each other and mess up the images completely, hence why I don't always use it. In the case of this targeted area, the size, being rather small at 91x 132px, it was essential to stack the image in order for the filter; to gather as much black and white light information from the images to be able to focus better. The small variations of Light and dark adjustments (shown) are all within a range of -42 for dark and +30's of various degrees of black and white. anything more and the image goes either black or solid white. 

The formula for this process is f(t) = (1/2π) ∫ F(ω) e^(iωt) dω (Inverse Fourier Transforming) but using a software application to stack and do the math for us; it is much easier to comprehend the process for most photographers.

The basic idea is very similar to mixing audio and restoring functions that I use in my music studio, but again with software to do the heavy lifting for me. The Fourier Transform is a mathematical tool used in signal processing and image analysis, among other fields. It's a way to transform a signal from its time (or spatial) domain to its frequency domain. Essentially, it breaks down a complex signal into a set of simple sine and cosine waves of different frequencies. This transformation makes it easier to analyze certain aspects of the signal, such as its frequency content.

The formula for the Fourier Transform of a time-domain function f(t) is:

F(ω) = ∫ f(t) e^(-iωt) dt

where ω is the frequency, t is the time, i is the imaginary unit, and the integral is over all time.

References:

Wei, L., Roberts, E. Neural network control of focal position during time-lapse microscopy of cells. Sci Rep 8, 7313 (2018). https://doi.org/10.1038/s41598-018-25458-w

Bracewell, R. N. (2000). The Fourier Transform and its Applications (3rd ed.). McGraw-Hill.



(Click image for full-size)
Additional separate #DARKLight frequency exposure

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Additional separate #DARKLight frequency exposure

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#DARKLight background filament view from the preset "FILO"

TIFF Version (617.5 MB)

(Click image for full-size)
Additional separate #DARKLight frequency exposure

click for a larger view

Extra Extra

One of the benefits of developing a new filter preset is learning about all the ways you can find a use case for it. #DARKLight doesn't fail in that "Usefulness" category. Below are a series of "Mask Highlights." By using the Mask View in Lightroom and selecting the mask it allows you to see the DARKLight generated masks and the darker view of the image that may otherwise be out of reach visually till you adjust it. Its a quick way of seeing interesting hidden features. 

click for a larger view

Original JWST Suvery Image - Hard to see details, but you know something is inside

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Same image with Mask Selected. Oh yeah! Something lurks in there!

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#DARKLight filter "Tidal" view

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#DARKLight filter "@cometsee" view

Another mask view

Same but different selected area of color reveals differences inside

Original JWST Survey Image

Mask view